Crafts

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

When the genius of colour meets the father of the Arts & Crafts movement, we all take a collective moment and joyously relish in the glorious b...

For most of my past 48 fabric collections I have used flowers as the setting pieces to my animal illustrations. I have used them to fill in the gap...

For most of my past 48 fabric collections I have used flowers as the setting pieces to my animal illustrations. I have used them to fill in the gap...

For most of my past 48 fabric collections I have used flowers as the setting pieces to my animal illustrations. I have used them to fill in the gap...

For most of my past 48 fabric collections I have used flowers as the setting pieces to my animal illustrations. I have used them to fill in the gap...

For most of my past 48 fabric collections I have used flowers as the setting pieces to my animal illustrations. I have used them to fill in the gap...

For most of my past 48 fabric collections I have used flowers as the setting pieces to my animal illustrations. I have used them to fill in the gap...

For most of my past 48 fabric collections I have used flowers as the setting pieces to my animal illustrations. I have used them to fill in the gap...

Stretching skyward across an endless forest canopy, Into the Woods features a carefully composed arrangement of beautifully detailed tree trunks. H...

Hand-painted in the Liberty Design Studio using pen and gouache, Woodland Forage is a cornucopia of autumnal vegetation. Strewn across the fabric a...

Hand painted in the Liberty Design Studio, Hedgerow Chorus was inspired by an archive design originally printed in 1957. This fun conversational gi...

Inspired by a 1930s Liberty impression sheet, Forest Floor is a timeless design of dappled flowers and leaves. Lively brushstrokes of colour create...

Hillside was originally created in 1968, by the famous British designer - and Liberty’s design director at the time - Bernard Nevill. This graphic ...

Inspired by a Liberty artwork originally created in 1975, this scattered wildflower meadow creates a beautiful, multidirectional repeat. Delicately...